The musical output of Mexican composer Mario Lavista can be roughly organized into three compositional periods corresponding to different techniques and media which he explored in search of his own original voice. These periods are defined in the first chapter, which also delves into Lavista's background and influences, and are represented in an annotated chronological catalogue. Ficciones, an orchestral composition belonging to Lavista's third period, shows an A-B form. Although it is an atonal piece, it has many tonal connotations derived from a germinal cell based on a perfect fifth with an upper and a lower tritone. Throughout the piece the tritone establishes all tonal areas, substituting for the V-I progression of tonal harmony. Lavis...
Typescript (Photocopy) --- Thesis (D.M.A.)--University of Rochester, 1986.Almost forty years have el...
Silvestre Revueltas (1899–1940) has emerged as a unique voice in Latin American music of the twentie...
The purpose of this document is to further the current research and encourage interest in the music ...
Mario Lavista (b.1943) is widely acknowledged as one of Mexico's foremost living composers. Having ...
This article deals with the imagery associated to the creation of Aura, the first opera of the Mexic...
Trátase a través de este artículo de entender el imaginario asociado a la creación de Aura, la prime...
Mario Lavista, compositor, pianista, intelectual, editor y profesor mexicano, se ha dado a conocer c...
This article locates within a socio-cultural context, the musical production of three Latin-American...
This paper will present the analysis of the author's compositional work Enfilade: Lamento-Cambiata. ...
© 1997 Dr. Michael ChristoforidisManuel de Falla's output during the 1920s was a product of his cons...
El compositor mexicano Mario Lavista estudió en el Conservatorio Nacional de México bajo la tutoría ...
Includes bibliographical references: pages 123-124The Preface is followed by on Introduction devoted...
Mexican composer Gabriela Ortiz is establishing a personal and contemporary musical language through...
This paper addresses compositions for solo bassoon and electronics by three Mexican Composers: Mario...
Miguel Bernal Jiménez established a personal and contemporary musical language by combining Mexican ...
Typescript (Photocopy) --- Thesis (D.M.A.)--University of Rochester, 1986.Almost forty years have el...
Silvestre Revueltas (1899–1940) has emerged as a unique voice in Latin American music of the twentie...
The purpose of this document is to further the current research and encourage interest in the music ...
Mario Lavista (b.1943) is widely acknowledged as one of Mexico's foremost living composers. Having ...
This article deals with the imagery associated to the creation of Aura, the first opera of the Mexic...
Trátase a través de este artículo de entender el imaginario asociado a la creación de Aura, la prime...
Mario Lavista, compositor, pianista, intelectual, editor y profesor mexicano, se ha dado a conocer c...
This article locates within a socio-cultural context, the musical production of three Latin-American...
This paper will present the analysis of the author's compositional work Enfilade: Lamento-Cambiata. ...
© 1997 Dr. Michael ChristoforidisManuel de Falla's output during the 1920s was a product of his cons...
El compositor mexicano Mario Lavista estudió en el Conservatorio Nacional de México bajo la tutoría ...
Includes bibliographical references: pages 123-124The Preface is followed by on Introduction devoted...
Mexican composer Gabriela Ortiz is establishing a personal and contemporary musical language through...
This paper addresses compositions for solo bassoon and electronics by three Mexican Composers: Mario...
Miguel Bernal Jiménez established a personal and contemporary musical language by combining Mexican ...
Typescript (Photocopy) --- Thesis (D.M.A.)--University of Rochester, 1986.Almost forty years have el...
Silvestre Revueltas (1899–1940) has emerged as a unique voice in Latin American music of the twentie...
The purpose of this document is to further the current research and encourage interest in the music ...